Last year, we discussed making backgrounds as a first step toward book altering. I thought it was time to show you some new-to-you-and-me techniques I’ve been playing with lately. A big round of applause goes out to the local book arts group I recently joined, Mile High Book Arts. This group of lovely ladies keeps me inspired. Once a month, we get together and a member of the group leads a project or teaches a technique that the others may not have tried yet. It’s a great way for me to make sure I sit down and do nothing but play once a month. A recent meeting focused on texture techniques and some of those are explained here.
All of the backgrounds in this article were done in a children’s board book. I wanted to play rough with these backgrounds and I thought the sturdier page would help support my playtime. All of these techniques will transfer to a regular page, but always experiment first if you’re concerned about the outcome.
One thing to note when using a board book is that the pages are shiny and it may be difficult to get paints and adhesives to stick to the surface. To remedy this, artists use a variety of techniques. One is to use gesso to coat the page and give it some “tooth” so that papers and paints will adhere. Another technique is to sand down the pages to take off the shine. After sanding, I take a damp paper towel to make sure all of the dust is cleaned off the page. I’ve recently read about artists peeling the shiny layer off the board book pages altogether, but I haven’t tried that myself yet.
I’ve been playing with Claudine Hellmuth’s peeling paper technique quite a bit lately, so I had plenty of masking tape on hand for this first technique. It’s a faux leather look, created with nothing but masking tape and brown paint. Apply torn strips of masking tape in any direction and apply brown paint over it. You can daub at the wet paint with a crumpled paper towel for added texture and interest.
When the paint is dry, a gloss or matte sealer can be applied over the top, depending on the effect you want to achieve. I used a satin gloss sealer on this sample, but some artists use Future Floor Finish instead. I got a little heavy handed with the brush, and I think I may have rushed the sealer application, as the paint may not have been completely dry, but I really like the weathered look I got in a few spots.
The best thing about all of these techniques is that they are incredibly easy and most of them are quick, depending on the drying time your paint and glue applications require. Look for these page spreads in future articles when they are completed with additional artwork.
To find the products mentioned in this article and shown in these layouts, check with your local scrapbook retailer. Browse our Premier Retail Stores for coupons to a store near you.



